Immersive Paintings Made Through Meditative State Draw Parallels Between the Body and Cosmos
There is a moment, standing before the paintings of Anthea Xin, when scale begins to dissolve. At first, the works appear as abstract fields of sweeping indigo and mineral pigment. Gradually, they reorganize into something both bodily and astronomical. Gestural arcs suggest the curvature of a spine and the orbital pull of distant celestial bodies. In Xin’s work, the human figure is not depicted directly. Instead, it is implied through movement, rhythm, and trace.













































































