Intricately Patterned Painting Explores the Complexity of Women in a Protective Yet Confining Space
Within Naomi Okubo’s artistic universe, women often remain faceless. This isn’t because they lack identity; it’s more so because they function as mirrors. And, given that the Japanese artist considers them to be mirrors, it naturally follows that they solely exist within glass-like settings. Okubo’s newest painting continues this line of inquiry, this time plunging women into a translucent greenhouse.











































































