Symbolic Lion Sculpture Carved Laying in a Cliff


In Lucerne, Switzerland, there is a stone sculpture of a slain lion embedded in the face of a low cliff that pays tribute to the hundreds of valiant Swiss Guards that courageously met their demise in 1792 when revolutionaries attacked the Tuileries Palace in Paris. Danish sculptor Bertel Thorvaldsen designed the public structure known as the Lion Monument, which is also referred to as the Dying Lion or simply the Lion of Lucerne, in remembrance of the massacre that occurred during the French Revolution and to honor the brave men who lost their lives in the ambush.

The monument is a powerful structure that stands a towering 6 meters high and measures 10 meters in length. Inscribed directly above the impaled and dying lion is “Helvetiorum Fidei ac Virtuti” which translates as “To the loyalty and bravery of the Swiss.” Below the sculpture lie the names of the Swiss soldiers involved in the event, both those that died and survived. As one photographer by the name of Disintegrated8 put it: “It's the saddest piece of rock in the world.” In fact, even Mark Twain praised the piece in 1880, deeming it “the most mournful and moving piece of stone in the world.”










Photo credits: [Victor Wong, Andrew Bossi, Disintegrated8, Annette Cormack, mbell1975, Martina Egli, NikitaY, mithuandjoe, Steve & Mill Hall]

Pinar

Pinar Noorata (she/her) is the Editorial Director at My Modern Met. She is a writer, editor, and content creator based in Brooklyn, New York. She earned her BA in Film and Media Studies from CUNY Hunter College. She has worked at major TV, film, and publishing companies as well as other independent media businesses. She also runs her own art & culture newsletter called The High Low. She first joined the My Modern Met team in 2011 as a Contributing Writer, pitching and publishing articles about a wide range of topics. Her expertise in visual media lends itself to in-depth analysis of varied art forms, including but not limited to painting, illustration, sculpture, installation, design, and photography. Pinar has a particular affinity for spotlighting up-and-coming artists, affording them a platform and offering a voice to lesser-heard individuals looking to break through, especially BIPOC creatives. She has helped multiple artists make a name for themselves and reach a wider audience over 10+ years as a writer and editor (both through long-form articles and short-form videos). When she isn’t writing, editing, or creating videos herself, Pinar enjoys watching films and TV, reading, crafting, drawing, frequenting museums and galleries, and volunteering at her local animal shelter.
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