Tattooist Fuses Contemporary Freehand Techniques with Traditional Japanese Themes

Tattoo artist Gakkin produces delicate works on skin that are designed with a freehand approach. Opting to draw directly onto his client's body before tattooing an image, the Japanese artist forgoes a stencil and tailors each design to the specific person—other artists, in contrast, would create something beforehand, show it to their client, and then use transfer paper to place it on the skin.

Gakkin describes his tattoos as “a new approach to traditional Japanese themes.” He uses classic imagery and decorates his clients with flowers, leaves, and waves, while also incorporating contemporary styles. Gakkin covers the body in ink to create bold blackout tattoos or uses a hint of red for a striking accent. Never straying too far from his roots, however, he follows the wabori rules of Japanese tattooing, which dictates standards like cherry blossoms and maple leaves should never appear in the same design.

Gakkin: Website | Instagram | Facebook
via [RocketNews24]

Sara Barnes

Sara Barnes is a Staff Editor at My Modern Met and Manager of My Modern Met Store. She is a graduate of the Maryland Institute College of Art where she earned her BFA in Illustration and MFA in Illustration Practice. Sara is also an embroidery illustrator and writer living in Seattle, Washington. She runs Bear&Bean, a studio where she stitches pet portraits and other beloved creatures. She chronicles the creativity of others through her website Brown Paper Bag and newsletter, Orts. Her latest book is Threads of Treasure: How to Make, Mend, and Find Meaning Through Thread, published in 2014. Sara’s work has been recognized in Be Creative With Workbox, Embroidery Magazine, American Illustration, on Iron and Wine’s album Beast Epic, among others. When she’s not stitching or writing, Sara enjoys planning things that bring together the craft community. She is the co-founder of Camp Craftaway, a day camp for crafty adults with hands-on workshops in the Seattle area.
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